Desdemona = Daniela Dessì
Jago = Ruggero Raimondi
Cassio = Antonello Palombi
Emilia = Brigitte Pinter
Roderigo = Miroslav Christoff
Lodovico = Pavel Daniluk
Montano = Valeriy Murga
Un arraldo = Michael Mirosek
Vladimir Fedoseyev, conductor
OPERNHAUS ZURICH
Verdi: OTELLO
Musikalische Leitung
VLADIMIR FEDOSEYEV
Inszenierung
SVEN-ERIC BECHTOLF
Bühnenbild
ROLF GLITTENBERG
Kostüme
MARIANNE GLITTENBERG
Lichtgestaltung
JÜRGEN HOFFMANN
Chor ERNSTRAFFELSBERGER
CHOR DES OPERNHAUSES ZÜRICH ZUSATZCHOR OPERNHAUS ZÜRICH KINDERCHOR DES OPERNHAUSES ZÜRICH
ORCHESTER DER OPER ZÜRICH
EIN KULTUR-ENGAGEMENT
DER CREDIT SUISSE PRIVATE BANKING
Samstag, 13. Juli 2002
FREIER VERKAUF
PAUSE NACH DEM 2. AKT
BEGINN: 19.00 UHR
ENDE: ca. 22.15 UHR
Musikalische Assistenz
und Einstudierung
ENRICO CACClARI, THOMAS BARTHEL
Abendspielleitung
und Regieassistenz
CLAUDIA BLERSCH
Bühnenbildassistenz
MARIO FERRARA
Kostümassistenz
AMELIE HAAS
Regiehospitanz
EVA FISCHLlN
Organisation und
Betreuung der Kinder
SUSY SIEGRIST
Inspizienz
SUSANN ZAHLER
Souffleur ADRIANO
Wonderful Cura, Dessì & Raimondi
Otello in Space, but still Verdi's Otello. The backdrop is a cinematic view of the stars, as if on a space-ship. This modernism is not doing anything for the opera, so I will go straight into the matter.
Otello, the opera, as theater and singing considered. The Chorus was weak, especially in the beginning of the opera, I think the Zurich opera needs more singers in the chorus. The children's chorus was excellent. Ruggero Raimondi was in full rigor as Jago, excellent singing and acting. Roderigo did his part well enough, but his voice was weak. Cassio was a bigger voiced tenor than I am used to in Otello performances, here we had a match for Cura, a future Otello no-doubt. José Cura as Otello, I liked him, but still Plácido Domingo's interpretation of the role is too vivid in my mind that I can fully appreciate Cura's because they are quite different. Daniela Dessì was a brilliant and young Desdemona, perfect in all ways. Emilia was also great in this performance.