Medora = Serena Farnocchia
Gulnara = Doina Dimitriu
Corrado = Giuseppe Gipali
Seid = Roberto Servile
Giovanni = Antonio De Gobbi
Bruno Bartoletti, conductor
Regie - Lamberto Puggelli
Scene - Marco Capuana
Costumes - Vera Marzot
Maestro d'armi - Renzo Musumeci Greco
Nuovo allestimento del Teatro Carlo Felice
in coproduzione con il Teatro Regio di Parma
I wonder if this production would have been exactly like this if Bush had not decided that the Geneva convention did not apply to all. Without Abu Graib and such would one chosen to show torture on the stage. For it is torture to hold someone's head in the opening and try to close it while head held fix is there to get the trap door repeatedly on the head. Not only did Seid do that to his prisoners but the corsairs did that too, don't know what prisoner they had on their ship, but violence was shown. In the setting of Corsairs against the Moslems where the Corsairs is sort of heroes (in real life they were never true heroes, only pirates). Without Bush and Iraq, would this Corrado been staged like this. Good or evil they are all doing it, torture... USA has OK' ed it. Or just the president of USA, and his government and the Republicans.
I don't know it this was a kind of hidden critics to the US, or what, but I think the director should have refrained from showing it onstage. And of course the sword fight was spectacular but why not keep it offstage.
Both Medora's were wonderful. Doina Dimitriu was a much better Gulnara than Paola Romano. But Dimitrius voice sometimes seem to go into too thin air. Giuseppe Cipali was a sympathetic Corrado, wonderful in the duets with Medora and Gulnara. But Rubens Pellizzaro was younger and more agile both in voice and acting and climbing. Marco Di Felice was a better Seid than Roberto Servile. More elegant, refined and better voice.
This page was last updated: January 10, 2017