2004-02-28 I Puritani (Bellini), Wiener Staatsoper

Lord Gualtiero Valton = Goran Simic
Sir Giorgio = Alastair Miles
Lord Arturo Talbot = Joseph Calleja
Sir Riccardo Forth = Manuel Lanza
Sir Bruno Roberton = Benedikt Kobel
Enriquetta di Francia = Caitlin Hulcup
Elvira = Stefania Bonfadelli

Stefan Soltesz, conductor

Inszenierung - John Dew
Bühnenbild - Heinz Balthes
Kostüme - José Manuel Vazquez
Chorleitung - Ernst Dunshirn
28. February 2004
I PURITANI
(Vincenzo Bellini)
WIEDERAUFNAHME
(36. Aufführung in dieser Inszenierung)

Dirigent: Stefan Soltesz




(° Debüt an der Wiener Staatsoper)
(* Rollendebüt an der Wiener Staatsoper)

Beginn: 19.00

After Signierstunde Carreras in Karajan Center it is time to see if my photos are ready. They are not. Back to the hotel to relax before the opera. I decide that I have time to go to Westbahnhof and to use the Internet café there, I do so. Then suddenly little time left. Unfortunately my irregularly eating have made my stomach uneasy. Luckily the Opera Toilette is there, and at the sound of Strauss I get "ready" for the opera. Hungry, feeling a bit sick and tired. But when I sit down and opera starts... the opera I Puritani by Vincenzo Bellini... then I don't feel so sick and tired. I can enjoy it.

I saw this opera earlier with Gruberova as Elvira. I was disappointed when I heard that she was ill. Stefania Bonfadelli replaced her. Last time I saw Bonfadelli was as Lucia di Lammermoor. But this time I really was positively attracted to her voice. This time I heard this warm voice and she was adorable. After just a few moments I did not miss Gruberova at all. Joseph Calleja, the young Maltese tenor (only 24) was wonderful as Arturo. The music of Bellini also was a revelation to me.

And I must tell of the impact that the subtitling that we got in the Wiener Staatsoper. I sat there and just decided not to read the synopsis of the opera. Last time I saw Puritani I bought a Libretti and sat desperately reading it in the pauses. But now relaxed and just see the history evolve before my very eyes. It meant that I did not know the ending of the opera. At the beginning I did not know who was singing but that cleared up. Wonderful singing. MAGIC. 

Colored light. I can understand the Red color when the king of England is beheaded, all the statues also beheaded with heads on one side of the stage, the bodies in the rear of the stage. Blood. 
Orange. When Arturo and Elvira meets in the forest. I would have thought Green was better. There were other colors in the production, purple...  But really it seemed often superficial. But the production was otherwise very good.

BRAVA!!  BRAVO !!  Bravissimo!!
This page was last updated: June 20, 2022